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“I remember, at one time, niggas thought this would never happen. “If you're a real nigga, don't ever count out positive shit,” Ross said. It started with Meek Mill, and then it got insane. After, every single one of them stopped to thank the big Bawse and urge the crowd to show respect. Every friend Rick Ross had ever put on and every man and woman who gave him a chance came through to rock the crowd. “Big Meech” came next then, Meek Mill ran out like a flaming tennis ball of energy and the duo dropped “I'm a Boss.” The second hour of the show became a veritable episode of This Is Your Life. "If you really know my career, if you were really there when I came out, there was another record, it wasn't on Port of Miami, but it did just as much for me, and it wouldn't be right if I didn't do this.”ĭre returned to rock “Chevy Ridin' High,” and the floodgates burst under the weight of greatness. “This some big boy shit right here,” he told the crowd. That's what he did, and for a moment, it seemed as if things might be over. He shouted out his team, he said he wants to see everybody get rich, and that's what his mission has always been. “Can I get a hruh?” The setlist ended with a short prayer from the MMG leader, telling about his favorite bible verse, about letting others eat of your flesh. Ross' childhood friend Gunplay touched mike for “It Ain't a Problem” along with Torch, and for a moment, the crowd seemed disappointed when Lil Wayne didn't materialize for “I'm a G.” He stayed to perform “Lose My Mind” before disappearing. Dre, Duece, and Lloyd appeared for their Port of Miami collaborative tracks, but the first real heart attack came when Jeezy walked on stage to do the “Hustlin'” remix. The show slowly transformed into a rotating cast of characters. “Words are very powerful - be careful how you use them,” he told the crowd before going into “White House,” “Pots and Pans,” and what he called his favorite song on the album, “It's My Time.” On the balcony, fans ate $5 hot dogs and sipped liquor-based drinks while taking in the sunset over the real Port, just a stone's throw to the east. The back of the room was dominated by giant cameras and bored sound engineers. The event was open only to Tidal subscribers and industry insiders who could manage an in. The main event would happen upstairs in the Treetop Ballroom, the space converted into a concert hall and production studio with a cap that couldn't have been much more than 500. Local radio stations 1035 the Beat (WMIB-FM, 103.5) and 99 JAMZ (WEDR-FM, 99.1) set up booths and live DJs, the soundtrack of madness being Renzel deep cuts.
#RICK ROSS HUSTLIN PORT OF MIAMI 320 SIMULATOR#
A man set up a speaker and a mike next to the Hurricane Simulator and the restroom and rapped like his lungs might give until security shut him down. Everyone seemed to know someone who was supposed to let them upstairs. There was an air of insanity about the whole thing, as if everyone in attendance felt the need to unleash their own inner-Rick Ross. The new Jungle Island location wasn't announced until hours before opening. Security alone - especially to accommodate a man still flaunting an ankle bracelet - would have been a nightmare. Fans blamed bad weather reports for a last-minute change of venue, but logistics and reality seem to indicate that a true Port of Miami concert would have been completely impossible. The plan had been to place Rick in the midst of the literal Port of Miami, preferably on top of a shipping container. The original idea for the concert was a bit different than what actually happened. It was strange to see so much ice and excitement at a place usually reserved for families and field trips. The collective cost of their footwear alone could feed most families for a year.
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By 6:45 p.m., the Jungle Island entrance was crawling with urban scenesters.